Quakertown, Bucks County

Interior painting in Quakertown, PA.

Most of the borough's houses have front porches, and a porch roof changes the light in the room behind it. Painting a Quakertown house often starts with the parlor that never sees the sky.

Two painters on extension ladders cutting in a cream ceiling above arched windows and honey wood paneling, beside a marigold wall.
Cutting in a cream ceiling above arched windows.

Interior painting for Quakertown homes

The historic district's nomination notes front porches on most of the borough's houses, and a porch changes the room behind it. The roof cuts off the sky, so the front room gets light bounced up from the porch floor and the street rather than daylight from above, and it reads darker than the rooms at the back of the house.

That shapes the color. A shade chosen in a bright kitchen can turn heavy in the front parlor, and the parlor is often the room people most want to get right. Its outside walls are often plaster laid on stone or brick, in houses the nomination describes as large, square and solid: two and a half stories of masonry, some of it stuccoed.

Quakertown

Porch-shaded parlors and Foursquare rooms

Rows and twins make the effect stronger. The borough built clusters of substantial brick and stone row houses with full-length porches, so the front rooms along a whole block sit in the same shade, and their shared side walls have no windows at all. Light enters low, from the front only, and runs far enough along the side walls to show every old patch in their plaster.

The Foursquares and Craftsman houses of the early 1900s, most of them in the middle and northeast of the borough, are a kinder case: roughly square rooms, four to a floor, many with windows on two walls, so light crosses from more than one side and colors read truer. Local builders made most of them in masonry, and their plaster tends to crack where the masonry has moved, at window heads and corners. Out in Richland Township, about three in ten homes date from the 2000s.

A staircase with black handrails and newel posts, white balusters and black treads, under a tall gray wall.
A black-and-white staircase under a tall wall.

Worth knowing

  1. Samples in the shade

    Paint samples for a front room are judged on its own walls, at the hours it is used. The porch makes it the least predictable room in the house.

  2. Broad Street's oldest houses

    The early houses along Broad Street, from about 1840 to 1860, are plain boxes, plastered or frame. Their rooms are simple and their walls old, so the preparation outweighs the trim.

  3. Towers and gables

    Queen Anne rows with corner towers and gambrel or stepped gables have upstairs rooms with angled walls and odd corners. They take more cutting in than their floor area suggests.

The work

How the work goes

The same care on every job, in every town. The full guide to interior painting.

A two-story great room with a deep navy accent wall, tall arched windows, a loft rail and furniture under drop cloths.
Navy in a two-story great room.
  1. The walkthrough

    Randy walks the rooms with you and looks at the walls in the light they actually get. He tells you plainly what they need, then puts it in writing. The walkthrough and the written estimate are complimentary.

  2. Repairs first

    Cracks, holes, nail pops and failing plaster are dealt with before anything else, and every patch is sanded flat. Paint doesn’t hide a poor patch; it shows it.

  3. Primer where it’s needed

    Patches, bare drywall and stains are primed. Joint compound takes up paint differently from a painted wall, and an unprimed patch can flash through the finish as a dull spot.

  4. Finish coats

    Ceilings, walls and trim are cut in and rolled or brushed, each in the sheen chosen for it. A big change of color takes more coats than a refresh, and the number is set by the wall, not the calendar.

  5. Seen in the room’s own light

    Before the drop cloths come up, the walls are looked at in the light the room really has, from its windows and its lamps. Low sun and lamplight show what an overhead work light hides.

Questions

Interior painting, Quakertown.

Our front parlor sits behind a deep porch and always looks dark. What helps?

The ceiling and trim help as much as the wall color. A bright ceiling and trim a little lighter than the walls send back what light comes in under the porch roof. The walls can then be chosen for how they look in shade, which is how the room is mostly seen.

Why do cracks keep coming back above the windows in our masonry house?

Masonry houses move a little with the seasons, and plaster cracks first where the wall is weakest, at the corners of window and door openings. A crack that is only filled tends to reopen, so it is opened, bridged with mesh tape set in a setting compound, feathered and primed, and then painted with the rest of the wall.

Is painting a Richland Township house different from painting an older one in the borough?

Very. A house from the 1990s or 2000s has drywall, larger and more open rooms and often a tall wall or two, so the work is resetting fasteners, fixing seams and carrying color across open space. The borough's houses ask for plaster repair, careful color in porch-shaded rooms and a great deal more brushwork.

Consultation

Request a private consultation.

Private walkthrough & written estimate, complimentary. Tell us a little about the house and the rooms, and Randy will be in touch to arrange a time.

Hours
Monday – Friday8:30 AM – 5:30 PMSaturday10 AM – 3 PMSundayClosed
Service area
Easton, Bethlehem, Allentown and the greater Lehigh Valley; Bucks County, Pennsylvania.

Fully insured — proof on request. Residential and commercial.

Randy’sPainting & DrywallReply card
The project
Preferred contact

Walkthrough & written estimate, complimentary.